zondag 23 september 2012

Playing an instrument or making music?

Technically speaking, we need only food, water and clothing to live. But most people will agree with me if I say that music and other hobbies are 'needs' for our minds. We listen to music, we play instruments because we know it has a certain effect on us. It influences our mood, how we feel, it amazes us. Music is a way of expressing ourselves, a way of communicating.  
A performance is a finger print of a musician. You will never find two identical finger prints, even on twins. That is what makes music so unique and intriguing.  
If you are an addict to Youtube, just like me, you will have noticed that you can find hunderds of different performances of one single piece. A lot of choice for us, viewers. We listen and decide whether if we like the piece or not. 


But what are the ingredients of a good performance? Is it a perfect technique? Charisma? The dynamics?

Our way of making music changed through the years. The top musicians of some decades  ago could permit themselves to play a few wrong notes and still, their reputation would remain unharmed. Think of Vladimir Horowitz. He is still considered as one of the best pianists that have ever lived although his playing was not entirely perfect. But then, what is perfection?

Music has a lot things in common with sports. In 1912, the 100 m world record was 10.6 seconds. Almost a century later, in 2009, Usain Bolt finishes in 9.58. More than one second faster over a hundred meters is an incredible difference. Things that were seen as impossible are reality nowadays. The pressure becomes higher and higher for the athletes. 
Are we humans capable of breaking records until eternity?

Technique
Considering the fact that the level of performing gets higher, we keep trying to find a new record to break. Also in music. The new record to break is that of technique. A lot of musicians are known for their perfect technique, let's say Christian Zimmermann, Simone Lamsma, Boris Berezovsky. Classical music is not something 'European' anymore. Instead, a lot of Asian and American artists are taking over this field. More competitors means even more pressure to be better than the others. This creates a never-ending vicious circle of rivalry, jealousy and egoism. 

In my opinion, technique is overrated. I highly respect people who are able to play a bunch of notes smoothly. But better doesn't mean necessarily more beautiful. In their struggles to reach the top, some forget the other aspects that have greater impact on the public than just skillful playing. 
We should ask ourselves, is technique a methode to reach a goal or is it a goal itself?

We must never forget that music has a lot in common with acting. In fact, the only difference is that musicians  don't move a lot around the stage. But musicians and actors have the same goal: Whether if it is with their voice or with an instrument, they want to tell a story. 
Actors know the importance of articulation and posture, especially in a big theater hall. If we translate it to a musical performance, a good musician should have an 'open', accessible sound. One should try to capture the attention of the audience by a clever use of dynamics, rubatos and other embellishments. 
What did the composer feel when he wrote this piece? What story do you want to tell?

Fingerprint
So, as I wrote before: What are the ingredients of a good performance? Is it a perfect technique? Charisma? The dynamics?

Horowitz said something interesting:
"I must tell you I take terrible risks.  Because my playing is very clear, when I make a mistake you hear it.  If you want me to play only the notes without any specific dynamics, I will never make one mistake.  Never be afraid to dare."  

If I hear a performance, I don't look for perfect technique in the first place. Instead, it's that one cheesy word: 'Emotions'. The fingerprint of your inner self. Yes, you can make a robot play the piano perfectly but you can't make him play with feelings. That is what makes us humans so unique! 

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woensdag 19 september 2012

Rachmaninoff - III. Romance, Suite no. 2 for two pianos

Sergej Vasiljevitsj Rachmaninoff, born on April 1st 1873 in Novgorod, was the last composer of the era of Russian Romanticism and one of the best pianists of his time. He was best known for his second and third piano concerto. Unforunately, he received a lot of negative criticism throughout his life because his music was considered too traditional. A lot of connoisseurs nowadays recognise his fabulous harmonic twists and the incredible depth in his music.
Rachmaninoff suffered from severe depressions. This influenced his compositions although his pieces are not sad or depressing per se. I would rather say they are 'heavy' but nevertheless very accessible.
Trademark: depth, sensitivity, majesty, humanity, minor chords, seriousness


How did he know?
Although I love Baroque and classicism, I must call myself a true Romanticist. I think Rachmaninoff is the composer I can completely relate to. You can hear in his music that he cleary understood human nature: moments of agony, moments of euphoria. He was gifted. He could translate every emotion into his music... If you take your time to discover Rachmaninoff's music, and I hope you will, you'll hear your life story in one of his masterpieces and then you will ask yourself: "How did he know?" There will be moments that you won't be able to listen to his compositions because it's too confronting. Moments when you can't handle floating to heaven, then being thrown on earth again. Rachmaninoff moves you and you can't help it.

Suite no. 2
The Suite no. 2 for two pianos was written in 1901, at the same time as the 2nd Piano concerto. It consists of four movements:
I. Introduction (Alla marcia)
II. Valse (Presto)
III. Romance (Andantino)
IV. Tarantelle (Presto)

I have strong memories when I listen to the Romance. It reminds me of my happy childhood and the great afternoons I spent at my grandparents'. I was about six years old and my parents used to play this together on the two grand pianos at my grandparents' house. It was my custom to lie down on the white woollen carpet under the Grotrian-Steinweg. The bass notes on the Bösendorfer sounded incredible. I was in my own little world and I thought this piece was the most beautiful thing ever.
My opinion about it hasn't changed. Rachmaninoff's Romance is still number one, but since I know a lot more music now it has to share this place with other masterpieces from other composers.

Romance
Romance. Love. We hear different 'chapters' of a love story: delicacy, tenderness or strong passion.
We hear Rachmaninoff's excellent pianistic qualities in this composition. He clearly knew the capacity of the instrument and how to get the most out of it.

The melodical line is quite simple but it sounds so beautiful combined with the harmonies.
The first piano passes the melody to the second piano, the latter gives it back. The constant interaction between the two instruments makes me think of a conversation. One asks, the other one answers. This is not a conversation with odd silences that occur when somebody doesn't know what to say. The conversational partners are familiar with each other.
The Romance does not show us childish, superficial affection. No, it's about deep, sincere, mature love that surely will last some time.

I think you'll understand my choice of words... I listened to the Romance while writing this blogpost.


If you like this, you'll probably like Saint-Seäns - The Swan , Rachmaninoff - 2nd piano concerto 2nd mvt. 

(Picture of the composer, source: Wikipedia)



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Feel free to comment and to correct my grammar mistakes, I'd appreciate it. Thanks for reading!